You know, it may *seem* like I'm not drawing much, but the real truth is that I'm just not scanning it. I've got a backlog of stuff to color; I'll get around to it once I have that elusive Time again. So, instead, I'm updating this list. Goodbye, TCB, I never had any idea what to do with you anyway! It is better, I think, to concentrate on the ones that have a vague chance of real published existence. Which is not to say that any of my other many and sundry scattered ideas are useless fluff; they're just not well-thought-out enough to be of use yet. So, here they are, the two things I've got going that I maintain a certain level of confidence in.

VENTURE: Ah, the glory of the future! Where the people are wealthy and the cities are shiny. And a groundbreaking experiment is on its way to celebrating its fortieth anniversary: the only city with its own orbital pattern, the greatest of the great corporate investments, a dazzling beacon of technology and culture...the Joint Business Venture. But things are not right in Venture, and they are on the brink of a Revolution. Everybody so far: Lula Rochester, reasonably pleasant sheriff; JT Taylor, gender-befuddling mechanic; Stan O'Shea, perpetually miserable and deeply alcoholic theoretical pianist; Leon Molina, surprisingly normal revolutionary leader; Heloise Magillicuddy, neutral bar-and-gun-shop owner; Oscar Kwon, tool of the establishment and TV journalist; Yolanda, anatomically-inaccurate robot designed for strictly platonic but greatly empathic friendship; and Horace and Walter, Earth filmmakers and generally perplexing. That's a lot of everybody. Damn.

TEPOZ CANYON is not a comic, but I seem to have taken up sketching the characters (and, on occasion, setting) regardless. It contains a guy named Owen Holson (anthropologist not prone to saying much), a guy named Gary Margi (archaeologist prone to saying quite a bit), a lady possibly named Hope (possibly an etymologist of no uncertain skill), a guy named David Reikler (field doctor with medical Issues), and a lady whose name is not entirely known to me. I often feel loath to discuss it, as it is something which would be rather more difficult to create than a comic, so that's all the info you're getting. I would not mention it at all, were it not for the fact that I feel that--much like Venture--it may actually be Good. Hell, that's the only reason I mention my stuff at all; I may be self-conscious about it, but I often suspect that it is rather better than the sort of thing most teenagers come up with.

And there you go.